Prima ballerina in the prologue who sends Hoffmann a note. In the epilogue, she is revealed as the real-life inspiration for Hoffmann's three past loves. In the first tale, she appears as Olympia, an automaton created by Spalanzani and Coppelius that Hoffmann falls for before discovering her artificial nature.
Hoffmann's central romantic obsession drives the narrative across multiple timelines.
A persistent romantic and strategic rival to Hoffmann.
Explore the full interactive character relationship map of The Tales of Hoffmann