The 1885 opera house owner who favors the established diva Carlotta for her prestige. He panics when Christine is cast in a major role and secretly arranges a negative review of her performance to protect his interests.
Christine performs under Barton's management, disrupting his preferred casting.
Barton relies on Carlotta's established fame and prestige for the theater.
Erik's violent actions indirectly manipulate Barton's casting decisions against his will.
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