A talented screenwriter hired at the Ministry of Information to craft dialogue for women in propaganda films. She faces workplace discrimination, lies to cover for the Starling twins' false Dunkirk story, and clashes with male colleagues over creative control. After discovering her partner's infidelity and surviving a devastating loss, she ultimately returns to her writing to contribute to the war effort.
Direct supervisor who hires, promotes, and oversees Catrin's work on the propaganda film.
Fellow writer collaborating on the wartime movie under the same ministry.
Trusted confidante who provides emotional support and receives personal secrets.
Catrin writes the script that Ambrose eventually stars in, establishing a writer-actor dynamic.
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