The lead actress in Hannaford's experimental film-within-a-film. She appears in various visually striking scenes, including chase sequences and a nightclub encounter where she mutilates a doll. After being tossed from a car and wandering the studio backlot, she performs a final symbolic scene attacking a giant phallic symbol. She remains the sole spectator watching the film's screening at the conclusion.
Production manager critiques the editing and sequencing of the lead actress's scenes.
Journalist's media scrutiny intersects with the lead actress's on-screen presence.
Director observes the lead actress's performance as a case study of his mentor's style.
Two performers connected through their shared history with the director's avant-garde work.
Explore the full interactive character relationship map of The Other Side of the Wind