Obsessed with symmetry and order, he constantly reorganizes objects, avoids touching floor lines or cracks, and uses magazines as stepping stones on patterned carpets. He finds Lili's echolalia fascinating due to its symmetry and decides to spend more time with her after the session.
Federico facilitates Otto's exposure to tolerance through the waiting room scenario.
Mutual irritation stems from contrasting compulsions and spatial rituals.
Emilio's mocking and Otto's rigid avoidance create temporary interpersonal tension.
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