Dan Thompson reviews a bold design proposal at the beginning of the story. He judges the work to be too scattered and considers its Buddhist imagery overly literal and naive for the project, so he decides to pass it to another department. His scene establishes the film's opening professional setting but does not connect him directly to the romantic leads.
James Beaman has 4 screen credits in a career dating back to 1999. Signature works include Turn Back Night, Till We Meet Again. Explore the interactive character relationship maps on each title page to trace how their roles connect across franchises.
