Hellmuth Costard

Career Overview

Hellmuth Costard has 56 screen credits in a career dating back to 1964. Signature works include Vladimir Günstig - Eine trojanische Affäre, Aufstand der Dinge, Battle for Time. Explore the interactive character relationship maps on each title page to trace how their roles connect across franchises.

Personal Facts

Known For: Directing
Gender: male
Known Credits: 56
Birth Date: 1940-11-01

Known For

Frequent Collaborators

Kyne Uhlig (2 collaborations)
Vera Appelhans (1 collaborations)
Markus Neuroth (1 collaborations)
Marianne Traub (1 collaborations)
Claudia von Alemann (1 collaborations)
Noemi von Alemann (1 collaborations)
Winfried Wolf (1 collaborations)
Christoph Künzler (1 collaborations)
Vitus Zeplichal (1 collaborations)
Pepe Kristl (1 collaborations)

Credits

actors (8 credits)
- Vladimir Günstig - Eine trojanische Affäre
  Vladimir • Hellmuth
  
  actor
  
  actors
  
  2004
- The Critical Mass
  Himself
  
  actor
  
  actors
  
  1999
- Little Godard
  Applicant
  
  actor
  
  actors
  
  1978
- Percy McPhee - Agent des Grauens (6. + 7. Folge)
  actor
  
  actors
  
  1970
- Die Postkarte
  actor
  
  actors
  
  1969
- Of Special Merit
  actor
  
  actors
  
  1968
- Der warme Punkt
  actor
  
  actors
  
  1968
- Chronicle of Anna Magdalena Bach
  Rector Ernesti
  
  actor
  
  actors
  
  1968
directing (17 credits)
- Vladimir Günstig - Eine trojanische Affäre
  director
  
  directing
  
  2004
- Aufstand der Dinge
  director
  
  directing
  
  1994
- Battle for Time
  director
  
  directing
  
  1985
- Realtime
  director
  
  directing
  
  1983
- Witzleben
  director
  
  directing
  
  1981
- Little Godard
  director
  
  directing
  
  1978
- Teilweise von mir - Ein Volksstück
  director
  
  directing
  
  1972
- Football As Never Before
  director
  
  directing
  
  1971
- The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves
  director
  
  directing
  
  1969
- Die Postkarte
  director
  
  directing
  
  1969
- Von der Revolte zur Revolution oder Warum die Revolution erst morgen stattfindet
  director
  
  directing
  
  1969
- After Action
  director
  
  directing
  
  1968
- Of Special Merit
  director
  
  directing
  
  1968
- Why Did You Kiss Me Awake?
  director
  
  directing
  
  1967
- One Brachet Close Brachet
  director
  
  directing
  
  1966
- Tom ist doof
  director
  
  directing
  
  1965
- ASTA-Spot
  director
  
  directing
  
  1964
editing (6 credits)
- Vladimir Günstig - Eine trojanische Affäre
  editor
  
  editing
  
  2004
- Realtime
  editor
  
  editing
  
  1983
- Witzleben
  editor
  
  editing
  
  1981
- Die Postkarte
  editor
  
  editing
  
  1969
- One Brachet Close Brachet
  editor
  
  editing
  
  1966
- Tom ist doof
  editor
  
  editing
  
  1965
writing (11 credits)
- Vladimir Günstig - Eine trojanische Affäre
  writer
  
  writing
  
  2004
- Aufstand der Dinge
  writer
  
  writing
  
  1994
- Battle for Time
  screenplay
  
  writing
  
  1985
- Realtime
  writer
  
  writing
  
  1983
- Little Godard
  writer
  
  writing
  
  1978
- The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves
  writer
  
  writing
  
  1969
- After Action
  writer
  
  writing
  
  1968
- Of Special Merit
  writer
  
  writing
  
  1968
- One Brachet Close Brachet
  writer
  
  writing
  
  1966
- Tom ist doof
  writer
  
  writing
  
  1965
- ASTA-Spot
  writer
  
  writing
  
  1964
production (8 credits)
- Aufstand der Dinge
  producer
  
  production
  
  1994
- Battle for Time
  producer
  
  production
  
  1985
- Realtime
  producer
  
  production
  
  1983
- Little Godard
  producer
  
  production
  
  1978
- The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves
  producer
  
  production
  
  1969
- Die Postkarte
  producer
  
  production
  
  1969
- One Brachet Close Brachet
  producer
  
  production
  
  1966
- Tom ist doof
  producer
  
  production
  
  1965
camera (2 credits)
- Battle for Time
  director of photography
  
  camera
  
  1985
- Witzleben
  camera operator
  
  camera
  
  1981
crew (3 credits)
- Realtime
  cinematography
  
  crew
  
  1983
- Witzleben
  script
  
  crew
  
  1981
- The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves
  cinematography
  
  crew
  
  1969
sound (1 credits)
- The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves
  music
  
  sound
  
  1969