Countess Stein is a guest at Max's hotel who becomes a confidante when Max tells her that he has found Lucia again. She recognizes the extremity of his attachment and calls him insane; Max replies that they are both in the same boat, revealing her limited but significant connection to his secret.
The countess who is attacked and strangled by her husband Filippo, who stages her death as a suicide. Her murder initiates the property dispute and the subsequent chain of killings.
A woman working in a modest eating place, Marta struggles to protect her daughter Cecchina from poverty and humiliation. Although frightened by Pierre's confession, she gives him shelter and gradually grows close to him while remaining responsible for her work and family.
A widow who runs the pensione housing Jane. She is secretly having an affair with Eddie Yaeger, using Mauro to facilitate their meetings, which Jane discovers and finds shocking.
Madame Benoit is described as Livio Morelli’s girlfriend. When Livio leaves for the island, he leaves her at the hotel to take care of the police detective who has been asking questions about the robbers. The plot summary gives no further actions or outcome for her.
A loving and protective mother who raises her son Maurizio with a lenient, emotionally supportive approach. Her reaction to Maurizio's crime highlights her parenting style and stands in direct contrast to her husband's strictness.
Louise Paleari is the woman Mathias meets after going to Rome and becomes the object of his love. Her connection with him creates the emotional center of his new life, while her presence also intensifies the conflict with the jealous Count Papiano, who is pursuing her and challenges Mathias's identity.
Andrea's aristocratic mother and widow of a factory owner. She lives comfortably at the villa, initially opposes taking in refugees, and leaves for Milan after the armistice. Her return accompanied by a German officer paralyzes Andrea's resolve.
Rosa is a witness whose recollection helps the police pursue the murder investigation. After learning of the boy's death, she remembers the shoulders of a man she saw near the public phone box. Fearing the killer may target her, she asks police to publicize that she can identify him and to watch her home, despite Supt. Hume's concern for her safety.
The tsarina is the ruler of Russia, whose court becomes the focus of France's diplomatic effort. She tests Charles after he arrives disguised as a woman, has him examined, and makes him admit that he is a man. Intrigued rather than angered by his courage, she orders him to deliver a letter at midnight.
An actress who speaks privately with the Poet about a romantic line from his play and whether lovers can truly promise never to part. They consider leaving together, but disagree over the theater and their work, and the available dialogue leaves their relationship unresolved.
Clarence is a penniless courtesan who meets the elegant con man Claude Larget and accepts his proposal to become his partner. After their first swindle targets Maxime Delcroix, she allows Maxime to court her and arranges to spend the night at his country house.
Isa Miranda has 65 screen credits in a career dating back to 1933. Their work is anchored in the Pardaillan - Saga universe with 1 titles. Signature works include The Walls of Malapaga, Zazà, The Guilty. Explore the interactive character relationship maps on each title page to trace how their roles connect across franchises.
Related entry on Wikidata (Q461477), public domain (CC0).
