Budiman's friend and police commander investigating the cult's 1955 ritual.
Audio and transit figures representing public awareness of the cult's spread.
Joko is the film's sole protagonist, a filmmaker whose ambition is abruptly halted by an incident. The changing dynamics among his friends and the pressure to pay office rent push him to make a religious film, a kind of project he had long avoided. His struggle centers on whether he can hold on to his ambition as life's possibilities redirect him.
Joko Liauw runs The Light’s media program, assigning the women content-creator roles and rewarding the team that attracts the most likes. His program transforms Salina, Ulfah, and Tara’s personal lives into carefully controlled content for the organization.
Relentless figure creating financial tension and testing character resilience.
A priest at the convent, Father Martin receives food delivered by Maryam as she helps care for the sisters. He is also the person who introduces Maryam to the senior nun Moniq and the monastery manager Mila, connecting her with key members of the convent community.
Bos is Adjeng's rich businessman boyfriend, who pays for the apartment where she lives alone. Asmoro sees him leaving Adjeng's apartment, which contributes to Asmoro's foul mood and the couple's ensuing argument. The story does not otherwise describe Bos's relationship with Adjeng.
A restaurant employee who appears briefly in the surrounding social environment.
Joko Anwar has 121 screen credits in a career dating back to 2003. Their work spans 6 cinematic universes — most prominently Satan's Slaves Collection with 3 titles. Signature works include Ghost in the Cell, Satan's Slaves, The Siege at Thorn High. Explore the interactive character relationship maps on each title page to trace how their roles connect across franchises.
Universe traveler — spans 6 universes
Related entry on Wikidata (Q11036795), public domain (CC0).
