Guy is part of the household where Jérôme works, alongside Marianne. The account places him within Marianne’s domestic world, but the available plot summary gives no further actions or specific role for him in the conflicts over her money, relationships, or affairs.
Heinz is Nathalie's husband and part of the established family life that surrounds her teaching career, children, and responsibilities toward her mother. His decision to leave Nathalie is one of the sudden personal changes that disrupts her routine and contributes to her unexpected new freedom.
Guillaume's father, who exists largely in the background, attempting to maintain family balance but lacking influence over his wife's dominant parenting style.
Castang, le maire becomes involved in a professional conflict with Marc after repeated errors and omissions appear in his tax declarations. He accuses Marc of damaging his reputation for political reasons, while Marc insists that the law must apply equally and refuses to abandon the audit and adjustment.
Provides his personal car to Paul for driving gigs, serving as a practical support during Paul's period of unemployment and artistic pursuit.
The Tramp begs to enter the club and see its performers, but is rejected as dirty and penniless. He continues pleading outside, convinced that he has found the woman he loves. His exclusion and persistence become part of the club's wider spectacle of desperation.
Gilles' father, who suffers from Parkinson's disease and asks Gilles for help with writing. Their relationship is strained because Gilles resists becoming his secretary.
A departmental superior or commanding officer who must manage the fallout of Ousmane's wrongful accusation and the subsequent cross-territory investigation. Navigates bureaucratic pressures while overseeing case progress.
Heir to the French throne, later crowned King Charles VII, relies on Jeanne's guidance.
He is the producer who undertakes to make a film, but finds the entire experience to be painful.
Marguerite's embarrassed husband, whose debts and business troubles are partly supported by her money. He considers leaving Paris and fears that her planned recital will expose her to public humiliation.
André is part of the threatened circle surrounding Irène and Jo. Near the end, he receives an urgent instruction to use the back stairs, indicating that secrecy and rapid movement have become necessary. His brief but important action connects him to the effort to conceal Jo and protect the group from immediate danger.
André Marcon has 76 screen credits in a career dating back to 1977. Their work spans 2 cinematic universes — most prominently Joan the Maid Collection with 2 titles. Signature works include The Richest Woman in the World, Things to Come, Me, Myself and Mum. Explore the interactive character relationship maps on each title page to trace how their roles connect across franchises.
Universe traveler — spans 2 universes
Related entry on Wikidata (Q2848242), public domain (CC0).
