Mari Carmen recalls her past as a tango dancer in Buenos Aires and meets Leonardo, who invites her to dance. Their evening is interrupted when her husband calls to say travel problems will keep him away overnight. Her conversations touch on love, marriage, and independence, suggesting tensions in how she understands relationships.
Rosa is an adult woman suffering from dizziness, nausea, and high blood pressure, which she treats with alcohol. She also reveals tensions between her family and Javi's father's relatives. When María plans to leave with Ricardo, Rosa angrily tries to stop her and accuses her of destroying Ricardo's family.
One of Bernarda’s daughters, Martirio needs love and resents her mother for preventing her marriage to Enrique Humanes because of his humble background. Poncia raises this grievance while warning Bernarda that the daughters’ feelings cannot simply be suppressed. The broader conflict over Pepe and Angustias adds to the sisters’ tensions.
Vicky Peña has 52 screen credits in a career dating back to 1977. Signature works include L’orgia, The Apostate, Dragon Rapide. Explore the interactive character relationship maps on each title page to trace how their roles connect across franchises.
