Minor nobleman attending Montero's secret meeting to discuss buying California.
Wealthy landowner navigating political shifts in the new republic.
Sr. Valdez owes Flora money, and receiving that money enables her to buy materials connected with the spring festival.
The patriarch of the Mirabal family and father to the four sisters. He initially supports his daughters' education by sending them to boarding school. Later, he is arrested by police, subjected to severe torture, and dies shortly after his release, an event that further hardens Minerva's resolve against the regime.
He becomes involved in the escalating confrontation after Tigrillo urgently seeks help, contributing to the story's mounting conflict.
The elderly depot clerk who monitors strange broadcasts on his radio. Initially armed and paranoid, his bandaged face is later revealed to have morphed into Ulises's likeness. He controls the station's locked doors, and his office contains photographs and posters that have all changed to display Ulises's face.
Jefe is Manuel's demanding supervisor at the company. He oversees the workplace where Manuel gradually earns trust and receives more responsibilities. Although Jefe is not part of Manuel and Lupe's household, his authority represents the pressure Manuel faces while trying to maintain employment, support Lupe, and build a path toward financial independence.
De La Garza privately negotiates with the police, offering money and institutional support in exchange for silence about the killings and alleged police brutality.
José is one of the bound participants forced to take part in the deadly selection process. He offers himself as the person who should die, but the system rejects his sacrifice because volunteering is forbidden. His failed attempt demonstrates how strictly the rules control the captives’ choices.
The medical professional who examines Ágata following the accident, confirming her deep coma and establishing the physical stakes for the supernatural rescue.
Don Gil is an older man associated with a rural gasoline location, where he guards the land and confronts an intruder. He threatens to kill anyone who returns, establishing the danger and possessiveness surrounding the illicit fuel network that Lalo later enters.
Fernando Becerril has 64 screen credits in a career dating back to 1988. Their work spans 4 cinematic universes — most prominently The Mask of Zorro with 2 titles. Signature works include Drama/Mex, Don't Go Yet, Dance of the Forty One. Explore the interactive character relationship maps on each title page to trace how their roles connect across franchises.
Universe traveler — spans 4 universes
