Salvo Randone

Salvo Randone Profile Photo

Characters played by Salvo Randone

Militina — The Working Class Goes to Heaven (1971)

A former factory colleague of Lulù who has been confined to a mental institution after collapsing under harsh working conditions. He fantasizes about militant actions and breaking through a wall.

Enrico — The Possessed (1965)

Enrico owns the old hotel where Bernard stays and is Irma's father. He is connected to the setting in which Tilde's death is investigated, and he becomes unhappy with Bernard's persistent questions and snooping. His reaction adds suspicion and tension to Bernard's effort to discover what happened.

Professore Roscio — We Still Kill the Old Way (1967)

Father of the murdered Antonio Roscio. Though initially opposed to his son's marriage to Luisa, he provides Laurana with Antonio's diary. Despite missing pages, the document reveals Roscio's fears and his efforts to gather evidence against corrupt officials, serving as a key catalyst for the investigation.

President of Viterbo Assize Court — Salvatore Giuliano (1962)

The presiding judge of the Viterbo Assize Court belongs to the later legal phase of the story, when the highest-ranking members of Salvatore Giuliano’s gang are tried and sentenced to life for the Portella della Ginestra killings. His role represents the state’s judicial response to the massacre.

Cesare Conversi — His Days Are Numbered (1962)

53-year-old widowed plumber who quits his job after witnessing a stranger's sudden heart attack on a tram. He attempts to reclaim his youth through various outings and reunions, but faces repeated disappointments. After briefly considering insurance fraud when broke, he ultimately returns to his daily routine.

Professor De Angelis — Hands Over the City (1963)

A political figure who is elected mayor at the decisive council meeting with support from the centre. His election creates a new governing majority, but its stability is immediately threatened by the dispute over whether Nottola should receive a commissioner’s post, placing De Angelis at the center of the unresolved administrative struggle.

Scipio Pagliughi — The Girl from Parma (1963)

Scipio shares his home with Amneris and becomes part of the adult household Dora re-enters. Conversations about his work, travels, money, and absent wife expose Dora to complicated ideas about marriage, infidelity, and the compromises expected in respectable adult life.

le pape noir — In the Name of the Pope King (1977)

Refers to the General of the Jesuits, a highly influential figure who wields significant power over the papacy. He reprimands Colombo for his courtroom defiance and later attempts to arrest him during a holy Mass, ultimately facing a direct spiritual refusal when Colombo denies him communion, symbolizing the Bishop's moral break.

Career Overview

Salvo Randone has 50 screen credits in a career dating back to 1943. Signature works include Toby Dammit, My Dear Killer, The Working Class Goes to Heaven. Explore the interactive character relationship maps on each title page to trace how their roles connect across franchises.

Personal Facts

Known For
Acting
Gender
male
Known Credits
50
Birth Date
1906-09-25
Birth Place
Siracusa, Italy

Known For

Frequent Collaborators

Credits