Margaux's mother speaks with her and urges her to come home. She also tells Margaux to keep watch over a benign medical finding, adding a family concern to the uncertainty Margaux faces about her health and pregnancy.
Elisabeth Duval is Olivier and Nadine’s mother, already emotionally fragile before Olivier vanishes. She refuses to accept his loss and becomes consumed by grief, blame, and hope. When the adolescent returns, his resemblance leads her to welcome him with overwhelming emotion, even as the family’s doubts make the reunion increasingly painful.
Béa is a woman from the city whom Anne meets after the refugees gather at the railway station. She shares Anne's precarious situation and quietly offers a possible explanation for the catastrophe, suggesting that the world may be spared for the sake of thirty-six righteous people known as the Just.
Arnaud's mother, who questions his plans for the summer and asks why he has chosen to stay and work instead of spending the holiday with his friends.
Gauthier's Mother is recently deceased before the events described in the film. Her letter, discovered by Gauthier, leads him to suspect that Guy may be his biological father. Although the summary provides no scenes involving her directly, this revelation establishes her as the source of the documentary's central personal mystery.
Antoinette Dagostino is Alex's strict mother and the owner of the garage where he works. She wants to retire and hand over management, but considers Alex too immature to take responsibility for the business, creating an important family and professional conflict for him.
Brigitte Roüan has 79 screen credits in a career dating back to 1972. Signature works include Intérieur Jour, Ma chair et mon sang, Train de vies. Explore the interactive character relationship maps on each title page to trace how their roles connect across franchises.
