Ricardo is one of the people drawn into the group's arguments about the political past and its consequences. He insists that opening official archives can benefit those in power, a position challenged by others who argue that the truth must not be hidden. He is also asked to support a public appeal concerning Paolo's extradition case.
Lourenço is associated with the farm from which Maria and Inês are later sent away before Saraiva takes control of them. Although the plot gives no further account of his actions, his farm marks an earlier stage in the girls' exploitation and their transfer into Saraiva's authority.
A local storekeeper distressed that his business cannot compete with the Chinese stores. He complains that the newcomers do not speak Portuguese and seem impossible to reason with. Bernard tells him that a Chinese group has offered to buy his building, threatening the store's future as Seu Nazir is already short on rent.
Angelo is Carlão/Carlinhos's father and the source of the childhood lesson that defines the protagonist's macho behavior. During a football match, he humiliates the boy for looking like a girl and insists that a real man must command respect. His cruelty turns masculinity into a defensive ideal that Carlão/Carlinhos later performs.
Another retired pool player or rival who competes in the tournament organized by Dino.
Otávio Augusto has 80 screen credits in a career dating back to 1970. Their work spans 2 cinematic universes — most prominently Vai Trabalhar Vagabundo: Coleção with 2 titles. Signature works include Bendito Fruto, Central Station, Uma Noite em Sampa. Explore the interactive character relationship maps on each title page to trace how their roles connect across franchises.
Universe traveler — spans 2 universes
