Yvette takes part in the restorative-justice meetings and is introduced to Nawelle by Judith.
Local resident who helps maintain village morale during occupation.
A social worker responsible for monitoring Violetta's welfare, likely intervening when Hannah's unpredictable behavior and exploitation of her daughter raise safeguarding concerns.
A neighbor and bystander drawn to the chaotic garage sale, representing the outside world's curiosity about the Darling family's private turmoil.
Nicole is an acquaintance who provides Louise with occasional credit and practical advice during her financial crisis. She also warns Louise not to create problems with hotel guests, showing concern while maintaining boundaries. Her limited assistance gives Louise some support, but it cannot resolve the homelessness, debt, and instability dominating Louise's life.
Mireille checks on Lily after Françoise Dreyer’s death and becomes increasingly alarmed by Lily’s withdrawal, anger, and unstable behavior. When Mireille leaves Lily unattended in the city, Lily causes a disturbance in a shop, fights with a saleswoman, and is eventually sedated, intensifying Mireille’s concern.
A key guest and Pinglet's wife whose romantic entanglements and interactions with other visitors fuel the film's comedic misunderstandings and escalating complications.
Daphnée's mother and a primary parental figure. Her presence and likely specific expectations or demeanor contribute to the domestic atmosphere and Daphnée's initial reluctance.
Martine is the focus of a family celebration where relatives exchange gifts and raise a toast. The gathering includes a musical surprise from Lola, who sings “I Am a Soldier” for her. The excerpt also shows tension over money at the celebration, as Tony objects to the expense of an elaborate meal while the family is struggling financially.
La dame de la DDASS is connected to the adoption process involving Aleksandra, Cyrille, and Alekseï. At the adoption meeting, the adults are warned that their decision is serious and cannot be treated as a temporary arrangement, establishing the responsibility they must accept before bringing the boy into their family.
Anne Benoît has 80 screen credits in a career dating back to 1987. Their work spans 2 cinematic universes — most prominently La Défense Trilogy with 1 titles. Signature works include All Your Faces, Médée, To the Edge of Our Sleepless Nights. Explore the interactive character relationship maps on each title page to trace how their roles connect across franchises.
Universe traveler — spans 2 universes
Related entry on Wikidata (Q2850979), public domain (CC0).
