Renzo is a brilliant, difficult, and commercially resistant painter whose old-fashioned style has fallen out of favor. After an accident causes serious injuries and temporary amnesia, he relies on Arturo to reconstruct his past. His reputation later returns, but he continues defending artistic independence and the circulation of his work through museums and auctions.
Antonio is Fermín's close friend and a participant in the cooperative project. He contributes money, helps Fermín trace and manipulate the area's power supply, and sets a mud barricade that prevents Manzi from reaching the vault. He later returns to his auto shop, where he humiliates Manzi by offering him mate.
Son of Mamá Cora and the Musicardi family. He is a nouveau riche who socially and economically ascended during Argentina's last dictatorship. He arrives at his brother's house for a classic Sunday meal alongside his wife Nora.
A prominent member of the Musicardi family whose wealth and status contribute to family tensions.
The taxi driver who transports the four women to the club. He overhears their descriptions of ideal men, then impersonates each to woo them individually. After his deception is discovered, he agrees to a schedule where he spends one week with each woman.
Mónica's father and the head of the family that left Argentina for Spain seventeen years earlier. He threatens Bruno to stop him from pursuing his claims about Mónica, then confronts him at his hotel. At a court-approved hearing, Ernesto is accused of having been the torturer known as El Sapo; he and his family are later arrested and tried.
A wealthy man much older than Felicitas whom her father compels her to marry, despite her love for Enrique. Felicitas gives birth to their only child a year after the wedding. The child dies during the yellow fever epidemic, and Martín dies the following year, leaving Felicitas widowed and affluent.
An enigmatic, silent figure encountered in the surreal landscapes, possibly representing the quiet void or unspoken truths left by the protagonist's detachment from reality.
Luis Brandoni has 61 screen credits in a career dating back to 1966. Their work is anchored in the Waiting for the Hearse Collection universe with 2 titles. Signature works include Strangers in the Park, Heroic Losers, My Masterpiece. Explore the interactive character relationship maps on each title page to trace how their roles connect across franchises.
Related entry on Wikidata (Q6700387), public domain (CC0).
