Jacinto is Memo's father, who pursued a music career for his son after Memo lived in Miami. Believing Memo's appearance would not support stardom, he accepted a scheme that made Memo sing behind another boy, later losing his money while promoting that act.
He is one of the four retired priests living together in isolation to discreetly purge alleged sins and crimes. His daily life is tied to the group’s forbidden contact with the town, limited outings, and racing-dog competitions, all managed by the former nun who supervises them.
The Leader is the central figure among the trapped miners, trying to preserve order after the collapse. He assesses the group’s desperate supplies, rejects drinking coolant as a divisive response, and insists that everyone face the crisis together. His leadership gives the miners a shared focus while rescue efforts continue above.
A household member who contacts the family manager when a child becomes upset.
Pablo is Feña’s father, who plans to fly into the city and expects Feña to provide an address and meet him at the airport. Feña remains evasive and insists on handling the arrangements alone, then arrives late and hides how severely the day’s problems have affected them.
A committed worker at the children’s home, Manuel tries to stop conflicts among its residents and argues that the shelter is a place where they can be treated as human beings. He supports Blanca’s pursuit of justice, challenges professionals he believes are obstructing abused children, and faces accusations from Marcos that he is turning her story into a performance.
Miguel is Carmen's successful and respected husband, a doctor who belongs to her comfortable middle-class family life in Santiago. His profession contrasts with Carmen's unrealized wish to study medicine, while their marriage and household establish the secure world she leaves temporarily when she travels to oversee renovations at the summer house.
A priest whom Ángel approaches while confused about his attraction to men. Ángel asks him for guidance after describing his encounters with men, but the conversation does not provide a simple answer. His role connects Ángel's personal uncertainty with the film's unresolved questions about desire and identity.
Alejandro Goic has 67 screen credits in a career dating back to 1990. Signature works include A Fantastic Woman, Atacama's 33, Once. Explore the interactive character relationship maps on each title page to trace how their roles connect across franchises.
