Pépé's loyal mistress who shelters him during his emotional breakdown. She deceives him about Gaby's departure, later warns Slimane of his escape plan, and is the last to witness his suicide, asking for forgiveness.
Amelia is Pastor John Martens’s wife and the mother of his four children. She understands Gertrude’s importance to her husband but tells him that she feels neglected and urges him to consider his family. Later, she supports arranging medical help for Gertrude and defends the pastor when Jacques accuses him of concealing his feelings.
Edith is François Laurin's married wife and Jean Diaz's lover. After François dies in the war, she becomes a widow and is looked after by Jean, who keeps his distance because of his promise to François. She later cares for Jean when his wounds affect his sanity and remains central to the painful love triangle involving Hélène.
Marie Mazel is a member of M. Mazel's family, which suffers while waiting for news of Jacques Mazel after he goes to war. The plot summary gives no separate actions or dialogue for her, but places her within the household affected by Jacques's disappearance and the later revelation concerning Patricia Amoretti's child.
La Carconte negotiates with Caderousse over the sale of a valuable diamond to Joannès. After he leaves, she reproaches Caderousse for failing to take the larger sum he noticed in the buyer’s case, revealing her interest in the contemplated robbery. The summaries do not describe what happens to her afterward.
Line Noro has 49 screen credits in a career dating back to 1929. Their work is anchored in the The Count of Monte Cristo (Pierre Richard-Willm) Collection universe with 1 titles. Signature works include Pastoral Symphony, The Secret of Madame Clapain, My Crimes After Mein Kampf. Explore the interactive character relationship maps on each title page to trace how their roles connect across franchises.
Related entry on Wikidata (Q3241478), public domain (CC0).
