Lou Andreas-Salomé at seventy-two is the film’s narrative center and recounts her extraordinary life to Ernst Pfeiffer. She is portrayed as a published novelist, poet, and essayist who rejected social conventions, influenced important contemporaries, studied under Sigmund Freud, and became the first female psychoanalyst.
Charlotte Lanner is Dr. Hanno Lanner’s mother and opposes his plan to sell the castle. Her disagreement places her within the estate’s central financial conflict, since the property is expensive to maintain and its future becomes relevant after Stefanie „Fanny“ Hofstätter is found dead.
A prominent figure within the city's social and political network. She is likely part of the established dignitaries connected to the historical tensions and ideological conflicts surrounding Pauly's activism.
Nicole Heesters has 80 screen credits in a career dating back to 1953. Their work is anchored in the Taunuskrimi universe with 1 titles. Signature works include Tamara de Lempicka—The Queen of Art Déco, Copacabana, Sehnsucht nach Rimini. Explore the interactive character relationship maps on each title page to trace how their roles connect across franchises.
Related entry on Wikidata (Q96145), public domain (CC0).
