Max’s wife, who works at a community hospital. Under severe financial and personal pressure, she undergoes a massive donation, becomes seriously ill, and suffers a miscarriage after her lifetime is transferred to a wealthy woman seeking rejuvenation.
Jo's mother, who prioritizes career stability over his artistic pursuits. She criticizes Martha's cultural avoidance as selfish and warns against Martha's influence on Jo, representing a traditional German perspective that contrasts with Martha's trauma-driven isolation.
Hanna is Jakob's wife and the mother of their children. She resents his unannounced visit and argues with him about their lack of communication and emotional closeness. She reveals that she has been involved with Hans for six years, and says she no longer wants her life to consist only of being a mother.
Dagmar visits the Voss family and becomes involved in conversations that reveal sharp generational and ideological disagreements between Bertram and his father. Later, she and Bertram are connected to a gathering where authorities stop a film screening, amid growing political tension. The excerpts do not clarify the exact nature of her relationship with Bertram.
A seasoned performer within the casting circle, bringing experience and navigating the professional demands of theater production.
Corinna Kirchhoff has 49 screen credits in a career dating back to 1970. Their work spans 2 cinematic universes — most prominently Faust by Peter Stein with 2 titles. Signature works include Paradise, A Summer in Italy, Der Schmetterlingsjäger. Explore the interactive character relationship maps on each title page to trace how their roles connect across franchises.
Universe traveler — spans 2 universes
