Carlos is Laura's husband and Simón's adoptive father. He accompanies Laura when she returns to the orphanage and supports the reopening project, but leaves after the investigation reveals the children's murders and Simón's death. Later, he visits the memorial and discovers the medallion connected to Simón.
Jaime is Marta's husband and Isa's father, whose family is attacked after moving into a new home. Forced by Asaltante jefe to obtain money, he attempts to seek help, crashes their car, returns home, frees Marta and César, and calls the police before Asaltante jefe kills him.
Honorio is a townsman who warns Padre Abelino not to stir up the past. He and Tere mourn their son Antonio, and he blames his own son for the earlier death of María José’s child. His grief and resentment connect the town’s present accusations against María José to an older tragedy.
Heir entangled in a deadly family game orchestrated by his late father.
Carlos is the executive responsible for the aggressive production plan known as the Iceberg project, which is being investigated after three suicides connected to Tecnocentro. Sofía gives him a preliminary assessment that cannot technically prove direct causation, while making clear that the finding does not endorse his methods.
Ramón is involved in the effort to locate Santi after the airport explosions. Working with Raúl, he tries to trace the missing taxi and determine where Santi has been taken. His role connects him to the search for Santi and to the authorities’ attempt to find him with Hamza.
Valbuena runs the private investigation agency where Eva, Inés, and Carmen work. He is described as a male chauvinist boss who assigns and oversees their cases, including Inés’s undercover factory investigation, placing professional pressure on the detectives as they confront difficult personal and ethical situations.
No specific role or plot details are provided in the summary. Information insufficient for detailed analysis.
A senior ETA tactical leader whose strategic plans are systematically obstructed by the agent's covert activities.
Miguel is Paula's former partner, and his return unsettles her growing connection with Roberto. He contacts Paula and later tells her that he loves her, apparently expecting them to resume their relationship. Paula still has strong feelings for him but resists returning to their past without considering how it hurt her.
Fernando Cayo has 58 screen credits in a career dating back to 1999. Their work is anchored in the War of the Arrows universe with 1 titles. Signature works include The Orphanage, Esta no es tu casa, Leonardo. Explore the interactive character relationship maps on each title page to trace how their roles connect across franchises.
