Teresa is an admired resident of the affluent gated community whose family appears to embody its ideal of comfort and happiness. Other residents observe her household as part of the community's social standard, while Lala bitterly challenges that image. Teresa therefore represents the protected privilege and appearances the story questions.
Salvadora Medina Onrubia is a member of the Botana household who takes an interest in Siqueiros and Blanca Luz and recruits Saravia to report on events inside the house. Siqueiros paints her according to his own perception, provoking her anger until she declares hatred for him, the house, and the mural.
Felicitas's mother. She objects, along with the family, to Felicitas's love for Enrique, and Felicitas's attempts to persuade her parents against the marriage to Martín fail. Later, Felisa asks about Felicitas's whereabouts at a gathering, before the guests learn that she is at the lagoon.
Ana Celentano has 43 screen credits in a career dating back to 1986. Signature works include Back to Buenos Aires, Las voces, Bigli. Explore the interactive character relationship maps on each title page to trace how their roles connect across franchises.
