A recurring client whose interactions with Yuma transcend typical transactions, revealing nuanced power dynamics and moments of unexpected vulnerability.
A high-ranking cult member among the stranded trio, initially committed to the organization's purity goals but experiences weakening faith and existential doubt as group cohesion fractures.
Brief appearance, likely a police officer or official.
A short-appearance character who adds a small human detail to the diner's atmosphere.
Occasional patron with a calm demeanor, enjoys the late-night setting.
A supporting character in the film, identified as Oishi's son. The available plot information provides little detail about his actions or personality.
A briefly appearing character in Tada’s handyman story, identified by carrying a sign.
A minor supporting figure in We Make Antiques! Kyoto Rendezvous.
Masanobu Iguchi is connected to a struggling factory seeking financing from Central Industrial Bank. Banker Koji Fudo will not approve the loan without firm evidence of a new order, placing Iguchi’s factory within the lending challenge that tests Akira Kaido’s efforts to support businesses in difficulty.
A detective investigating the discovery of a skeletonized body. He reveals to Hasegawa that Ichiko’s assumed identity is false and guides him toward uncovering the tragic truth behind Tsukiko’s death and Ichiko’s disappearance.
A minor character in the Mahoro story; no further identifying details are provided.
Shohei Uno has 146 screen credits in a career dating back to 2000. Their work spans 8 cinematic universes — most prominently We Make Antiques! Collection with 3 titles. Signature works include Believers, 100 Yen Love, Occult. Explore the interactive character relationship maps on each title page to trace how their roles connect across franchises.
Universe traveler — spans 8 universes