A materialistic ballerina and Jack's former lover. She abandoned him for a wealthy admirer, whom Jack accidentally pushed overboard. She briefly visits Jack's club, offers him money which he refuses, and later coldly denies helping his eye surgery, providing only old clothes. Her selfishness drives Song's sacrifices and Jack's eventual realization of true love.
Mary Kid has 24 screen credits in a career dating back to 1923. Signature works include Dornenweg einer Fürstin, Song, The Bastard. Explore the interactive character relationship maps on each title page to trace how their roles connect across franchises.
