The Scapegoat (1959) character relationship network mapped with AI analysis. Explore the connections, alliances, and conflicts between characters.
John Barratt is a lonely English teacher whose physical resemblance to Jacques De Gue causes him to be mistaken for the French nobleman. After being abandoned without his clothes, he enters De Gue's f...
The Countess is the formidable matriarch of the French family into which John Barratt is drawn. She initially treats him as Jacques De Gue, challenges his decision to renew the foundry contract on unf...
Blanche is Jacques De Gue's sister and part of the household that refuses to believe Barratt's account of the identity exchange. After Francoise dies, Blanche accuses Barratt of murder, claiming she o...
Marie-Noel is Jacques De Gue's daughter and one of the family members Barratt meets after being taken to the chateau. She encounters him while he is being treated as her father, but, like the other fa...
Aristide is a cousin of the French family who discusses business with Barratt on the day after Barratt arrives at the chateau. His conversation connects Barratt to the family's neglected glass-making...
Gaston is Jacques De Gue's chauffeur. He first arrives at the hotel to collect the man he believes is his master and helps take Barratt to the chateau after Dr. Aloin's diagnosis. Later, Gaston provid...
Dr. Aloin is the doctor consulted by Gaston when Barratt insists that he is not Jacques De Gue. Speaking over the telephone, he diagnoses the Englishman as suffering from schizophrenia. Though he neve...
Family, romantic, and professional connections based on plot evidence.
Both the Countess and Aristide are involved in the noble family's affairs, including the business and its contractual decisions.
Gaston calls Dr. Aloin, who diagnoses the Englishman over the telephone as suffering from schizophrenia.
Gaston arrives to take Barratt home, mistakes him for his master, and later provides an alibi by driving him to an appointment.
The plot identifies Aristide as a cousin who discusses business with Barratt after Barratt reaches the chateau.
Marie-Noel is listed among the family members Barratt meets at the chateau as the nobleman's daughter.
Blanche is identified as the nobleman's sister and later accuses Barratt after the death in the household.
The Countess is introduced as the formidable mother within the family that John Barratt is forced to impersonate.
A lonely teacher inherits another man's identity and must survive the family, financial, and violent consequences of that transformation.
Directed by Robert Hamer
The Scapegoat (1959) · 6.8/10 · crime, mystery, thriller
Plot analysis generated from content on Wikipedia, licensed under CC BY-SA 4.0.
Related entry on Wikidata (Q1056797), public domain (CC0).