Maxime (1958) character relationship network mapped with AI analysis. Explore the connections, alliances, and conflicts between characters.
Characters
Jacqueline Monneron
(played by Michèle Morgan) — protagonist
Maxime Cherpray
(played by Charles Boyer) — protagonist
Gazelle
(played by Arletty) — supporting
Coco Naval
(played by Jane Marken) — supporting
General Le Questin
(played by André Brunot) — supporting
Eva Allison
(played by Meg Lemonnier) — supporting
The Minister's representative
(played by Jean-Marie Proslier) — supporting
Flick
(played by Jacques Dufilho) — supporting
The Count
(played by Fernand Fabre) — supporting
The secretary
(played by Liliane Patrick) — supporting
Canonical Relationships
Family, romantic, and professional connections based on plot evidence.
The Count → Jacqueline Monneron
(Romantic Interest) — The Count has a fleeting interest in Jacqueline
Maxime Cherpray → The secretary
(Professional Contact) — They have professional interactions
Maxime Cherpray → The Count
(Professional Employer) — Maxime serves as the factotum for the young millionaire
Story Dynamics
Alliances, conflicts, and narrative interactions that evolve throughout the story.
Maxime Cherpray → Flick
(Social Acquaintance) — They move in the same social circles
Maxime Cherpray → The Minister's representative
(Social Acquaintance) — They move in the same social circles
Maxime Cherpray → General Le Questin
(Social Acquaintance) — They move in the same social circles
Maxime Cherpray → Coco Naval
(Social Confidante) — Coco Naval is a friend and confidante to Maxime
Maxime Cherpray → Gazelle
(Social Confidante) — Gazelle is a friend and confidante to Maxime
Maxime Cherpray → Eva Allison
(Alliance Matchmaker) — Maxime arranges romantic encounters for Eva
Maxime Cherpray → Jacqueline Monneron
(Alliance Matchmaker) — Maxime arranges romantic encounters for Jacqueline
Story Analysis
The complex relationship between an aging dandy and his brusque young employer
Plot Progression
The Aging Facilitator
— Introduction of Maxime and his role as the sophisticated factotum for the brusque young millionaire, establishing their complex professional relationship.
The Art of Arrangement
— Maxime begins his matchmaking work, demonstrating his skill in orchestrating romantic encounters while maintaining appearances of spontaneity.
Growing Complications
— The arrangements become more elaborate, revealing the emotional cost to Maxime and the growing disconnect between the two men.
The Final Performance
— Maxime orchestrates his most elaborate encounter while confronting his own diminishing relevance in the face of the young millionaire's rising power.
Directed by Henri Verneuil
Maxime (1958) · 6.2/10 · comedy, drama
Content sources
Related entry on
Wikidata
(Q3302475), public domain (CC0).
Plot breakdown and analysis on this page are AI-generated from the title's synopsis and metadata.