Character Relationship Map: Maya
Maya (1949) character relationship network mapped with AI analysis. Explore the connections, alliances, and conflicts between characters.
Characters
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Bella dite Maya
(played by Viviane Romance) — protagonist
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Jean
(played by Jean-Pierre Grenier) — protagonist
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Le steward
(played by Marcel Dalio) — supporting
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Ernest
(played by Jacques Castelot) — supporting
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Un soultier
(played by Georges Douking) — supporting
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Cachemire
(played by Valéry Inkijinoff) — supporting
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Notre Mère
(played by Fréhel) — supporting
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Le commandant
(played by Georges Vitray) — supporting
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Petit
(played by Zina d'Harcourt) — supporting
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Michel
(played by Maurice Régamey) — supporting
Canonical Relationships
Family, romantic, and professional connections based on plot evidence.
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Un soultier → Bella dite Maya
(Professional Client) — The soldier is one of Bella's clients
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Le commandant → Bella dite Maya
(Power Authority Figure) — The commandant holds power over Bella's environment
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Bella dite Maya → Ernest
(Professional Client) — Ernest is one of Bella's clients
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Bella dite Maya → Notre Mère
(Family Mother Figure) — Notre Mère serves as a maternal figure to Bella
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Bella dite Maya → Jean
(Romantic False Lover) — Bella pretends to be Jean's long-lost sweetheart
Story Dynamics
Alliances, conflicts, and narrative interactions that evolve throughout the story.
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Petit → Bella dite Maya
(Social Acquaintance) — Petit is part of Bella's social network
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Michel → Bella dite Maya
(Social Acquaintance) — Michel knows Bella from her social circle
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Jean → Notre Mère
(Social Acquaintance) — Jean knows Notre Mère through his connection to Bella
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Bella dite Maya → Cachemire
(Conflict Rival) — Cachemire competes with Bella in their profession
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Bella dite Maya → Le steward
(Social Acquaintance) — Bella knows the steward from her work environment
Story Analysis
A tragic tale of identity loss and transformation
Plot Progression
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The Prostitute's Existence
— Bella lives a life of transformation, adapting to clients' desires while hiding her true self.
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The False Romance
— Bella plays along with Jean's fantasy, seeing an opportunity to escape her current life.
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The Blurred Lines
— The line between Bella's performance and reality begins to blur as she invests emotionally in the fantasy.
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The Transformation
— The emotional tragedy leads to Bella's complete transformation into Maya, the embodiment of lost souls.
Directed by Raymond Bernard
Maya (1949) · 5.6/10 · drama
Content sources
Related entry on
Wikidata
(Q3302891), public domain (CC0).
Plot breakdown and analysis on this page are AI-generated from the title's synopsis and metadata.