Cria! (1976) character relationship network mapped with AI analysis. Explore the connections, alliances, and conflicts between characters.
The eight-year-old protagonist whose perspective drives the narrative. She witnesses her father's death, imagines her deceased mother, and later reveals she used baking soda to kill him. She navigates...
One of Ana's young sisters who shares the family's isolated life. She is mentioned at breakfast when she recounts a nightmare about being kidnapped, highlighting the children's sheltered upbringing be...
Ana's younger sister who lives in the same secluded household. She is briefly mentioned as leaving for school alongside Irene, marking the transition from their domestic isolation to the outside world...
Ana's deceased mother, who appears as a vivid imaginary figure throughout the story. Flashbacks depict her as a warm but suffering woman battling cancer, whose marital conflicts deeply impact Ana's ps...
María's sister who assumes guardianship of the children. She is strict and authoritarian, clashing with Ana. It is revealed she is Nicolás's mistress, making her the target of Ana's misguided attempts...
The lively family maid who serves as Ana's closest confidante within the household, providing emotional support and contrasting with the stern adults and oppressive atmosphere.
An elderly, mute family member confined to a wheelchair. Ana attempts to ease her suffering by administering the poison, but the grandmother withdraws consent upon learning it is merely baking soda.
A former army comrade of Anselmo and husband of Amelia. He visits the household and is revealed to be Paulina's secret lover. He calmly disarms Ana, discovering her father's loaded pistol.
Ana's father, whose death initiates the narrative. Though initially appearing to die of a heart attack, he was actually killed by Ana using baking soda. Flashbacks portray him as emotionally distant a...
The woman found in bed with Anselmo on the night of his death. She is later identified as Nicolás's wife and appears at the wake, representing the hidden infidelities within their social circle.
Family, romantic, and professional connections based on plot evidence.
Ana lives with her mute, wheelchair-using grandmother and offers to help her die using the supposed poison.
Ana overhears Anselmo in bed with Amelia on the night he dies, and Amelia flees the bedroom.
Amelia is explicitly identified as Nicolás's wife after she leaves Anselmo's bedroom.
Nicolás visits the house, and Paulina is revealed to be his mistress during an intimate moment.
After Anselmo's funeral, Paulina becomes the orphaned children's guardian and moves into the house.
Ana lives with her younger sister Maite, who leaves for school with Irene near the end.
Ana lives with her young sister Irene in the family house, and Irene later recounts a nightmare at breakfast.
Flashbacks show María and Anselmo arguing about their marriage, his infidelities, and his absence from family life.
María is Ana's mother, and Ana repeatedly recalls her illness, death, and earlier family life.
Ana is identified as Anselmo's daughter and discovers his body after hearing choking sounds in his bedroom.
Alliances, conflicts, and narrative interactions that evolve throughout the story.
Rosa is described as Ana's closest companion and provides emotional support in the household.
The film states that Anselmo and Nicolás served together in the División Azul during World War II.
A child processes family cruelty, death, memory, and authority inside an isolated household that gradually opens onto the outside world.
Directed by Carlos Saura
Cria! (1976) · 7.5/10 · drama
Plot analysis generated from content on Wikipedia, licensed under CC BY-SA 4.0.
Related entry on Wikidata (Q150881), public domain (CC0).