Irene (1940) character relationship network mapped with AI analysis. Explore the connections, alliances, and conflicts between characters.
An upholsterer's assistant whose life changes after she meets wealthy Don Marshall while measuring chairs at Mrs. Herman Vincent's estate. Don arranges for her to become a model at Madame Lucy's, wher...
A wealthy man who becomes charmed by Irene O'Dare when she is measuring chairs at a Long Island estate. He anonymously buys Madame Lucy's boutique and tells its manager, Mr. Smith, to offer Irene a mo...
The newly hired manager of Madame Lucy's boutique, whose owner is Don Marshall. Acting on Don's instructions, he offers Irene O'Dare a modeling job and later uses the mistaken belief that she is Lady...
A woman whose chairs Irene O'Dare measures while working as an upholsterer's assistant at her Long Island estate. She is also connected to the family mansion where a ball is held and where Irene's blu...
A socialite who becomes interested in Irene O'Dare after she attracts attention in a blue satin costume at his family's ball. He escorts her around town while she is presented as an Irish aristocrat,...
Family, romantic, and professional connections based on plot evidence.
Bob Vincent is introduced as the son of the woman hosting the ball at the Vincent family mansion, Mrs. Herman Vincent.
Irene agrees to marry Bob, but their engagement changes when Bob confesses that he still loves Eleanor Worth.
Mr. Smith offers Irene a job as a model and later promotes her through the boutique's social campaign.
Don anonymously purchases Madame Lucy's and instructs the newly hired manager Mr. Smith to offer Irene a job.
Don is charmed by Irene when they meet, and Irene later realizes that she loves Don.
Alliances, conflicts, and narrative interactions that evolve throughout the story.
To promote Madame Lucy's dress line, Mr. Smith arranges for his models to be invited to the soiree hosted by Mrs. Herman Vincent.
Mrs. Herman Vincent hosts a ball at the family mansion, and Irene attends after the models are invited to the soiree.
A working woman is transformed by fashion publicity, but romantic truth ultimately matters more than social appearances.
Directed by Herbert Wilcox
Irene (1940) · 6.5/10 · comedy, music, romance
Plot analysis generated from content on Wikipedia, licensed under CC BY-SA 4.0.
Related entry on Wikidata (Q6068910), public domain (CC0).