A horror film director plots to steal a film negative and prevent producers from destroying the film through an insurance scam.
The horror film is placed under threat of destruction. The central danger is connected to an insurance scam.
The producers' insurance scheme becomes the main source of conflict. The film's destruction would serve that scheme.
The director responds by plotting to steal the film negative. The negative becomes essential to preserving the film.
The planned theft is directed toward preventing the film's destruction. The negative represents the director's chance to save it.
Sam Irvin
Rating: 7/10 (2 votes)
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