Story Structure — 4 Plot Phases
Languid Beginnings
The film opens with color-coded vignettes establishing a dreamlike, introspective atmosphere. The Mermaid languishes indoors while The Girl engages in playful yet pursued moments on a swing.
Key Events
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Red Scene Opening — Mermaid languishes indoors in a red-lit setting. Characters: Mermaid
Location: Indoor Room
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Swing Pursuit — The Girl is pursued through foliage and pushed onto a swing. Characters: The Girl
Location: Foliage Area
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Sparkler Play — The Girl plays with a sparkler while on the swing. Characters: The Girl
Location: Swing Area
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Red Scene Mood — The opening establishes a languid, introspective tone. Characters: Mermaid
Location: Indoor Room
Swamp and Water Encounters
Tension rises as The Girl navigates a swamp chase, using a pie for defense. Meanwhile, the Mermaid encounters a supernatural creature that traps her but ultimately offers a soda.
Key Events
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Swamp Pursuit — The Girl is pursued in the swamp and fends off an attacker with a pie. Characters: The Girl
Location: Swamp
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Pie Defense — The Girl successfully slams a pie in her pursuer's face. Characters: The Girl
Location: Swamp
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Werewolf Emergence — A creature rises from the water and traps the Mermaid. Characters: Mermaid
Location: Water
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Soda Offering — The creature fails to carry the Mermaid away and offers her a soda instead. Characters: Mermaid
Location: Water
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Green Dock Gathering — Characters relax on a dock in a green-lit scene. Characters: Mongolian Child, Cobra Woman
Location: Dock
Dock and Party Gathering
The narrative shifts to a relaxed dock scene where characters interact casually. The setting transitions to a cow pasture party featuring performative rituals and a milk bath.
Key Events
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Green Dock Gathering — Characters relax on a dock in a green-lit scene. Characters: Mongolian Child, Cobra Woman
Location: Dock
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Skull Stroking — The Mongolian Child strokes a skull while relaxing. Characters: Mongolian Child
Location: Dock
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Violin Performance — A violinist performs music as the scene unfolds. Characters: Cobra Woman
Location: Dock
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Cobra Dance — The Cobra Woman dances with her cobra during the performance. Characters: Cobra Woman
Location: Dock
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Party Transition — The group moves to a cow pasture for a party. Characters: Mermaid
Location: Cow Pasture
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Milk Bath Ritual — The Mermaid enjoys a milk bath during the party. Characters: Mermaid
Location: Cow Pasture
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Green Scene Mood — The dock scene introduces a relaxed, performative atmosphere. Characters: Mongolian Child, Cobra Woman
Location: Dock
Cake Chaos and Ascent
The climax converges on a large cake where dancers gather. Violence erupts as the Mummy attacks and the Mongolian Child shoots others before climbing to the peak.
Key Events
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Milk Bath Ritual — The Mermaid enjoys a milk bath during the party. Characters: Mermaid
Location: Cow Pasture
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Cake Assembly — A group of people dance on top of a large cake. Characters: Mongolian Child, Cobra Woman, Mermaid
Location: Cake Site
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Pink Faery Emergence — A pink figure emerges from the large cake. Characters: Mongolian Child
Location: Cake Site
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Mummy Attack — The Mummy appears and attacks the dancers on the cake. Characters: Mummy
Location: Cake Site
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Cake Chaos — The Mongolian Child shoots the other characters during the chaos. Characters: Mongolian Child
Location: Cake Site
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Cake Ascent — The Mongolian Child climbs to the top of the cake. Characters: Mongolian Child
Location: Cake Site
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Narrative Fragmentation — The film concludes with a loose, non-linear sequence of events. Characters: Mermaid, The Girl, Cobra Woman, Mongolian Child, Mummy
Location: Various
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Avant-Garde Structure — The sequences follow a loose plot without clear narrative progression. Characters: Mermaid, The Girl, Cobra Woman, Mongolian Child, Mummy
Location: Abstract
A follow-up to now legendary film Flaming Creatures. This vivid, full-color homage to B-movies is a dizzying display of camp that clearly affirms Smith’s role as the driving force behind underground cinema and performance art of the post-war era. The director was known to constantly re-edit the film, often during screenings as it was still unspooling from the projector.