A young cancer patient's postoperative identity crisis develops into a psychological search for a new understanding of her body and self.
Melanie is presented as a young cancer patient living through the postoperative state of her body. Her changed physical condition becomes the central premise of her experience.
Melanie mourns the prior existence of her body. This grief places her in an emotional and psychological deadlock.
Melanie tries to identify the new substance of her body. Her search shifts attention from physical loss toward questions of identity.
The psychological journey focuses on Melanie's attempt to redefine her sense of self. The available synopsis presents this process as ongoing rather than fully resolved.
Melanie, a young cancer patient, is trapped in the postoperative state of her body and mourning for the prior existence of it. She is in a deadlock and tries to identify her new substance. She is the subject of her psychological experience and at the same time the object of her sight. Her obsession to look like before becomes her interior demon and her personal witch. She needs to feed her worldview, to identify her new substance and building a better relationship with herself. Her catalytic encounter with the confident trans woman Sissy takes her stress away.
Demeter Stavropoulos
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