Devi (1960) character relationship network mapped with AI analysis. Explore the connections, alliances, and conflicts between characters.
Doyamoyee is Umaprasad's wife and a devoted member of Kalikinkar's household. After Kalikinkar interprets a dream as proof of her divinity, she is worshipped as an idol and becomes increasingly isolat...
Umaprasad is Kalikinkar's educated son and Doyamoyee's husband, studying in Calcutta and learning English. He rejects the claim that Doyamoyee is divine, secretly tries to take her away, and later con...
Kalikinkar Roy is a widowed zamindar, a deeply devout patriarch, and Umaprasad's father. After dreaming that Doyamoyee's eyes merge with those of a goddess, he declares her divine and organizes her wo...
Harasundari is a daughter-in-law in Kalikinkar's household and Doyamoyee's sister-in-law. Unlike Kalikinkar, she remains skeptical of Doyamoyee's supposed divinity. She seeks medical help when the chi...
Family, romantic, and professional connections based on plot evidence.
Doyamoyee is Umaprasad's wife and Harasundari is Taraprasad's wife; the two women live together as wives of brothers in the same family.
Doyamoyee is identified as Umaprasad's wife, while Kalikinkar is identified as Umaprasad's father; they live together in the same household.
The plot explicitly describes Doyamoyee as Umaprasad's wife, and Umaprasad tries to take her away from the mansion.
The plot identifies Umaprasad as Kalikinkar Roy's son and shows them living in the same mansion.
Alliances, conflicts, and narrative interactions that evolve throughout the story.
Harasundari remains skeptical when Kalikinkar declares Doyamoyee divine and later has serious doubts about using the ritual to treat Khoka.
A family is destroyed when religious conviction transforms a young wife into a goddess and makes doubt impossible.
Directed by Satyajit Ray
Devi (1960) · 7.5/10 · drama
Plot analysis generated from content on Wikipedia, licensed under CC BY-SA 4.0.
Related entry on Wikidata (Q640276), public domain (CC0).