With Good Reason (2004) — AI Story Visualization

Plot Analysis Summary

A Spanish anthology documentary that critiques political and social realities through independently directed short films.

Story Structure — 4 Plot Phases

Production Genesis

The film emerges from the Goya 2003 awards ceremony, where actors and directors issue a joint declaration. This collective statement pivots toward explicit opposition to the Iraq War, establishing the project's political motivation.

Key Events

• March 2004 Premiere Launch — The documentary feature film officially debuts to the public in March 2004. Location: Spanish Cinematic Venues
• Goya 2003 Awards Context — The film project originates from the cultural atmosphere of the 2003 Goya Awards. Location: Goya Awards Ceremony
• Joint Declaration Event — Actors and directors issue a collective declaration during the awards ceremony. Location: Awards Ceremony Stage
• Iraq War Opposition Stance — The declaration transforms into a clear condemnation of the Iraq War. Location: Cultural Discourse Arena
• Actor-Director Collaboration — Filmmakers and performers unite to realize the anthology project. Location: Production Studios

Anthology Framework

The narrative adopts a segmented structure comprising thirty-two independent short films. Each segment maintains a strict three-minute runtime, allowing directors to exercise full creative autonomy during production.

Key Events

• Actor-Director Collaboration — Filmmakers and performers unite to realize the anthology project. Location: Production Studios
• Anthology Film Structure — The narrative adopts a segmented anthology format rather than a linear plot. Location: Editing Suites
• Thirty-Two Short Segments — The feature comprises exactly thirty-two distinct short film segments. Location: Film Archive
• Three-Minute Runtime Format — Each segment maintains a strict approximate three-minute duration. Location: Screening Rooms
• Independent Director Vision — Every director conceives and shoots their segment independently. Location: Individual Production Sets
• Autonomous Production Process — Creative control remains fully distributed among the participating filmmakers. Location: Multiple Filming Locations

Political & Social Critique

A unifying thematic core binds the segments together, focusing sharply on contemporary Spanish realities. The anthology directly challenges the Partido Popular government and analyzes social conditions throughout the 2000-2004 legislative period.

Key Events

• Autonomous Production Process — Creative control remains fully distributed among the participating filmmakers. Location: Multiple Filming Locations
• Unifying Thematic Core — A shared thematic thread connects all independently produced segments. Location: Narrative Framework
• Political Reality Critique — Segments directly challenge and analyze contemporary political conditions. Location: Spanish Political Landscape
• Social Reality Analysis — The anthology examines various facets of everyday social life and norms. Location: Spanish Society
• PP Government Era Focus — Critiques specifically target the ruling Partido Popular administration. Location: National Administration
• Legislative Period Timeline — The narrative anchors its commentary within a specific legislative timeframe. Location: Historical Record

Epilogue & Thematic Resolution

The film concludes with a dedicated epilogue segment that synthesizes the anthology's messages. This final sequence delivers a cohesive artistic statement, leaving the audience with lasting cultural and political reflections.

Key Events

• Legislative Period Timeline — The narrative anchors its commentary within a specific legislative timeframe. Location: Historical Record
• 2000-2004 Historical Span — The film captures and reflects upon the four-year political cycle. Location: Contemporary Spain
• Cinematic Response Mechanism — Cinema serves as the primary medium for societal and political feedback. Location: Film Industry
• Cultural Commentary Output — The anthology generates widespread cultural conversation and debate. Location: Public Sphere
• Epilogue Segment Integration — A dedicated epilogue segment concludes the anthology structure. Location: Final Screening Sequence
• Final Narrative Resolution — The film delivers its concluding message and leaves viewers with critical questions. Location: Audience Reflection Space
• Collective Artistic Statement — The project stands as a unified artistic declaration of its era. Location: Cultural History
• Public Discourse Catalyst — The documentary successfully sparks ongoing public discussion about governance. Location: Societal Conversation

Story Breakdown

• Production Origins — The project emerges from a collective cultural moment, driven by industry professionals responding to global conflicts.
  • Goya 2003 Context — The awards ceremony provides the initial platform for artistic mobilization.
  • Iraq War Opposition — The joint declaration explicitly condemns military intervention, shaping the film's political stance.
• Structural Format — The narrative abandons traditional linear storytelling in favor of a segmented anthology approach.
  • Thirty-Two Segments — The feature is divided into exactly thirty-two distinct short film units.
  • Three-Minute Runtime — Each segment adheres to a strict approximate three-minute duration for pacing.
• Creative Process — Filmmakers operate with maximum autonomy, ensuring diverse directorial voices within a unified project.
  • Independent Direction — Each director conceives and shoots their segment without centralized creative control.
  • Autonomous Production — Decentralized workflows allow for varied cinematic styles and narrative techniques.
• Thematic Focus — A shared conceptual core binds the segments, targeting contemporary Spanish societal conditions.
  • Political Critique — Segments directly challenge governmental policies and administrative decisions.
  • Social Reality Analysis — The anthology examines everyday life, cultural norms, and public discourse.
• Historical Context — The film anchors its commentary within a specific political era, documenting a defined legislative period.
  • PP Government Era — Critiques specifically target the Partido Popular administration's policies.
  • 2000-2004 Timeline — The narrative captures and reflects upon the four-year political cycle.
• Narrative Structure — The anthology format culminates in a concluding segment that synthesizes the film's overarching message.
  • Epilogue Integration — A dedicated closing segment provides thematic closure and reflection.
  • Final Resolution — The film delivers its concluding artistic statement to the audience.
• Cultural Impact — The project functions as both a cinematic work and a catalyst for broader societal conversation.
  • Collective Statement — The anthology stands as a unified declaration of artistic and political solidarity.
  • Public Discourse — The film successfully sparks ongoing debate about governance and social reality.

Directed by

Sigfrid Monleón, Víctor García León, Pere Joan Ventura

Key Cast

• Candela Peña — Taxista (segment "Libre")
• José María Aznar — Self(archive footage)
• Críspulo Cabezas — (segment "Madrid, mon amour")
• Pilar Bardem — (segment "Catequesis")
• Marta Etura — (segment "Por tu propio bien")