Controsesso (1964) character relationship network mapped with AI analysis. Explore the connections, alliances, and conflicts between characters.
Characters
Sandro Cioffi (segment "Cocaina di domenica") / Spadini (segment "Una donna d'affari")
(played by Nino Manfredi) — protagonist
Spadini is an intrepid musician who enters the life of Giovanna, a beautiful, self-confident career woman. He makes repeated attempts to win her over, but discovers that her devotion to her business m...
Marcella (segment "Cocaina di domenica")
(played by Anna Maria Ferrero) — supporting
Giovanna (segment "Una donna d'affari")
(played by Dolores Wettach) — supporting
Giovanna is a beautiful, statuesque, self-confident career woman whom the musician Spadini pursues. Despite his repeated attempts to reach her, she is so absorbed in her business that she is portrayed...
Armando (segment "Una donna d'affari")
(played by Umberto D'Orsi) — supporting
The lawyer (segment "Una donna d'affari")
(played by Antonio Ciani) — supporting
Corrado Fracassi (segment "Cocaina di domenica")
(played by Renzo Marignano) — supporting
Canonical Relationships
Family, romantic, and professional connections based on plot evidence.
Giovanna (segment "Una donna d'affari") → Sandro Cioffi (segment "Cocaina di domenica") / Spadini (segment "Una donna d'affari")
(Professional Business Associate) — A corporate colleague navigating shared professional obligations.
Giovanna (segment "Una donna d'affari") → The lawyer (segment "Una donna d'affari")
(Professional Client-Advisor) — Professional reliance on legal expertise for business matters.
Armando (segment "Una donna d'affari") → Giovanna (segment "Una donna d'affari")
(Romantic Pursuer-Target) — A musician's persistent romantic pursuit of a career woman.
Marcella (segment "Cocaina di domenica") → Corrado Fracassi (segment "Cocaina di domenica")
(Romantic Couple) — A couple whose weekend plans are altered by the discovery of cocaine.
Story Dynamics
Alliances, conflicts, and narrative interactions that evolve throughout the story.
Armando (segment "Una donna d'affari") → Sandro Cioffi (segment "Cocaina di domenica") / Spadini (segment "Una donna d'affari")
(Conflict Rival) — Romantic pursuit clashes with established business boundaries.
Corrado Fracassi (segment "Cocaina di domenica") → Sandro Cioffi (segment "Cocaina di domenica") / Spadini (segment "Una donna d'affari")
(Conflict Rival) — Tension arises between the two men regarding their weekend dynamics.
Marcella (segment "Cocaina di domenica") → Sandro Cioffi (segment "Cocaina di domenica") / Spadini (segment "Una donna d'affari")
(Alliance Accomplice) — Linked through the cocaine discovery that shifts their shared activities.
Story Analysis
A unified triptych examines sexual inhibition and the pursuit of pleasure through cocaine, discipline, and professional self-enslavement.
Plot Progression
Pleasure After Discovery
— The opening episode centers on Sunday entertainment and the unexpected discovery of a phial of cocaine. The discovery changes the meaning of pleasure within that setting.
The Teacher's Discipline
— The second episode follows a strict single teacher who is described as a proper grandmas' boy. He goes to great lengths to tame his wild girl-students.
From School To Business
— The triptych shifts from the teacher's struggle with his students to an intrepid musician entering a stranger's life. The new episode introduces a self-confident career woman.
The Modern Self-Imposed Slave
— The musician makes many attempts to approach the woman of his dreams. He ultimately discovers that her business has made her a modern slave.
Directed by Franco Rossi, Marco Ferreri, Renato Castellani
Controsesso (1964) · 6.5/10 · comedy
Content sources
Related entry on
Wikidata
(Q3689356), public domain (CC0).
Plot breakdown and analysis on this page are AI-generated from the title's synopsis and metadata.