First woman (played by Olga Breno) is a protagonist in Limite.
A seamstress who escaped prison with a guard's help. After fleeing to a new city to restart her life, she was forced to run again upon seeing police notices for her arrest in the newspapers. Second woman (played by Tatiana Rey) is a protagonist in Limite.
A woman who left her unhappy marriage to an alcoholic pianist due to his emotional coldness and lack of care. First man (played by Raul Schnoor) appears in Limite.
A widower who fell in love with a married woman. While visiting his late wife's grave, he discovered from her husband that she had leprosy. Woman eating a fruit (played by Carmen Santos) appears in Limite.
Man sitting at the cemetery (played by Mário Peixoto) appears in Limite.
Man asleep in the theatre (played by Edgar Brasil) appears in Limite.
Woman at the sewing-machine (played by Iolanda Bernardes) appears in Limite.
Limite (1931) character relationship network mapped with AI analysis. Explore the connections, alliances, and conflicts between characters.
Characters
First woman
(played by Olga Breno) — protagonist
A seamstress who escaped prison with a guard's help. After fleeing to a new city to restart her life, she was forced to run again upon seeing police notices for her arrest in the newspapers.
Second woman
(played by Tatiana Rey) — protagonist
A woman who left her unhappy marriage to an alcoholic pianist due to his emotional coldness and lack of care.
First man
(played by Raul Schnoor) — supporting
A widower who fell in love with a married woman. While visiting his late wife's grave, he discovered from her husband that she had leprosy.
Woman eating a fruit
(played by Carmen Santos) — supporting
Man sitting at the cemetery
(played by Mário Peixoto) — supporting
Man asleep in the theatre
(played by Edgar Brasil) — supporting
Woman at the sewing-machine
(played by Iolanda Bernardes) — minor
Canonical Relationships
Family, romantic, and professional connections based on plot evidence.
First man → Man sitting at the cemetery
(Meta Himself)
First woman → Woman at the sewing-machine
(Meta Herself)
Story Dynamics
Alliances, conflicts, and narrative interactions that evolve throughout the story.
First man → Man asleep in the theatre
(Unknown Connection)
First woman → Woman eating a fruit
(Unknown Connection)
Second woman → First man
(Alliance Stranded Allies)
First woman → First man
(Alliance Stranded Allies)
First woman → Second woman
(Alliance Stranded Allies)
Story Analysis
Three people drift at sea while flashbacks reveal episodes of escape, marital unhappiness, and a widower's painful discovery.