Cut! (2014) character relationship network mapped with AI analysis. Explore the connections, alliances, and conflicts between characters.
Characters
Homeless Man
(played by Sam Scarber) — protagonist
Gabby
(played by Gabrielle Stone) — supporting
Travis Simon
(played by David Rountree) — supporting
Lane Hayes
(played by David Banks) — supporting
Francis 'Jamal' Jefferson
(played by Allen Maldonado) — supporting
Lolita
(played by Tansy Alexander) — supporting
Canonical Relationships
Family, romantic, and professional connections based on plot evidence.
Lane Hayes → Homeless Man
(Professional Hired Participant) — Lane is directly involved in employing the Homeless Man for the dangerous scene.
Lane Hayes is included in the admission that he and Travis Simon paid the Homeless Man to participate in the filmed knife threat.
Travis Simon → Homeless Man
(Professional Hired Participant) — Travis recruits the Homeless Man for a staged filming action that becomes lethal.
Travis Simon and Lane Hayes admit that they paid the Homeless Man to hold a knife to a prostitute's neck while they filmed it.
Story Dynamics
Alliances, conflicts, and narrative interactions that evolve throughout the story.
Travis Simon → Gabby
(Social Set Acquaintance) — They are connected through the chaotic independent film production.
Travis Simon takes part in the production while noticing Gabby amid the crew's sexual teasing, insecurity, and resentment.
Lane Hayes → Lolita
(Social Encountered Acquaintance) — Lane's connection to Lolita is limited to the recorded encounter.
Lane Hayes is with Travis Simon when they encounter Lolita during their search for sexual services and record the interaction.
Travis Simon → Lolita
(Social Encountered Acquaintance) — Their interaction is a brief, exploitative encounter connected to the recording.
Travis Simon and Lane Hayes encounter Lolita while searching for sexual services and record the encounter.
Francis 'Jamal' Jefferson → Lane Hayes
(Conflict Armed Adversary) — Francis becomes a violent external threat to Lane and Travis.
Francis 'Jamal' Jefferson attacks Travis Simon and Lane Hayes, injures one man, and threatens them with a gun.
Francis 'Jamal' Jefferson → Travis Simon
(Conflict Armed Adversary) — Francis directly endangers Travis during the encounter.
Francis 'Jamal' Jefferson attacks Travis Simon during the confrontation with an armed group and threatens him with a gun.
Travis Simon → Lane Hayes
(Unknown Criminal Accomplice) — They are jointly implicated in the filmed killing and the disposal of the body.
Travis Simon and Lane Hayes admit that they paid the Homeless Man to hold a knife to a prostitute's neck while they filmed it, and that the act became...
Story Analysis
A chaotic film project turns real violence into criminal material while its participants lose control of the boundary between performance and murder.
Plot Progression
A Story Without Heroes
— The narration rejects conventional heroic structure and warns that serial killers may hide among ordinary people. Travis Simon then presents the story as his own after a violent opening incident.
The Broken Film Set
— Travis enters a chaotic independent production and tries to contact Lane Hayes, whose parole problems create additional pressure. Crew disputes, sexual teasing, and disorganization reveal an exploitat...
Violence Becomes Real
— Travis and Lane record an encounter while searching for sexual services, then face an armed attack by Francis 'Jamal' Jefferson. A police stop is followed by an argument that exposes their involvement...
Crime as a Career
— Lane fears prison and the consequences of violating parole, while Travis embraces the danger and demands that they continue the game. Travis contacts a distributor, treating the crime as material for...
The Unfinished Death Film
— Reports of two headless bodies suggest a serial killer or copycat. Lane brings a terrified woman to the set, and the film project escalates into an unwilling death scene that ends without resolution.
Directed by David Rountree
Cut! (2014) · 4.1/10 · horror, mystery, thriller
Content sources
Plot breakdown and analysis on this page are AI-generated from the title's synopsis and metadata.