After Hours (1985) character relationship network mapped with AI analysis. Explore the connections, alliances, and conflicts between characters.
Paul Hackett is a mild-mannered New York computer clerk and the film's central character. After meeting Marcy, he becomes stranded in SoHo with almost no money and endures a night of suspicion, pursui...
Marcy is Kiki's roommate and the woman Paul meets at a café before visiting her SoHo apartment. Her erratic behavior, burn cream, and disturbing photographs lead Paul to believe she is disfigured and...
June is an older sculptress who lives beneath Club Berlin. After Paul escapes into the empty club and becomes the target of a mob, she hides him by covering him in papier-mâché and disguising him as a...
Kiki is Marcy's roommate and a sculptor who makes and sells plaster-of-Paris paperweights shaped like bagels. She is also working on a large papier-mâché sculpture of a screaming man, which Paul prote...
The Taxi Driver first takes Paul to Marcy's SoHo apartment, but Paul's only twenty-dollar bill flies out of the window, provoking the driver's anger. Later, after Paul retrieves the bill from Kiki's s...
Julie is the bar's waitress whom Paul encounters while trying to reach Club Berlin. She brings him to her apartment and flirts aggressively, but Paul rejects her advances. In retaliation, Julie makes...
Gail is a Mister Softee ice cream truck driver who encounters Paul while he is being hunted through the neighborhood. She initially offers him aid, but after seeing Julie's handmade wanted posters, sh...
Family, romantic, and professional connections based on plot evidence.
Gail joins the mob after seeing the handmade wanted posters Julie created about Paul.
Julie brings Paul to her apartment and flirts aggressively, but Paul rejects her advances.
Paul meets Marcy at a café, becomes intrigued by her, accepts her phone number, and later goes to her apartment for a date.
Alliances, conflicts, and narrative interactions that evolve throughout the story.
June disguises Paul as a papier-mâché sculpture resembling Kiki's screaming-man sculpture.
June hides Paul from the mob by covering him in papier-mâché and disguising him as a sculpture.
Gail initially offers Paul aid after he encounters her Mister Softee truck.
Paul's twenty-dollar bill flies from the taxi, provoking the driver's anger; later, the same driver robs Paul after he retrieves the money.
Paul visits Kiki's apartment, returns her stolen sculpture, retrieves his money from it, and later is disguised as a similar sculpture.
The plot identifies Kiki as Marcy's roommate and places both women in the SoHo apartment.
A mild-mannered clerk's attempt to return home becomes an absurd nocturnal ordeal shaped by misunderstanding, hostility, and accidental escape.
Directed by Martin Scorsese
After Hours (1985) · 7.5/10 · comedy, drama, thriller
Plot analysis generated from content on Wikipedia, licensed under CC BY-SA 4.0.
Related entry on Wikidata (Q846209), public domain (CC0).