Story Structure — 4 Plot Phases
The Triad's Origin
The film opens with a girl counting stars and introduces the three Cissie Colpitts. The grandmother drowns her husband, and the coroner is persuaded to cover it up.
Key Events
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Opening Jump Rope — A little girl jumps rope while counting stars to a hundred. Characters: Cissie Colpitts
Location: Southwold
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Triad Introduction — Three women, all named Cissie Colpitts, are introduced as grandmother, daughter, and niece. Characters: Cissie Colpitts
Location: Southwold
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First Drowning — The grandmother Cissie drowns her husband, initiating the central conflict. Characters: Cissie Colpitts
Location: River Blyth
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Coroner's Complicity — A coroner is cajoled into covering up the first crime. Characters: Cissie Colpitts
Location: Southwold
Echoes of Tradition
The daughter repeats the drowning, while Smut begins reciting rules for invented games. The repetitive structure and number motifs are established.
Key Events
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Coroner's Complicity — A coroner is cajoled into covering up the first crime. Characters: Cissie Colpitts
Location: Southwold
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Second Drowning — The daughter Cissie drowns her husband, repeating the pattern. Characters: Cissie Colpitts
Location: River Blyth
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Game Rules Recited — Smut recites rules for invented games like 'Bees in the Trees'. Characters: Smut, Cissie Colpitts
Location: Southwold
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Third Drowning — The niece Cissie drowns her husband, completing the triad. Characters: Cissie Colpitts
Location: River Blyth
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Crime Cover-up — The coroner continues to cover up the successive crimes. Characters: Cissie Colpitts
Location: Southwold
The Final Iteration
The niece drowns her husband, completing the generational cycle. Numbers appear everywhere, and the fairy-tale parallel becomes explicit.
Key Events
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Third Drowning — The niece Cissie drowns her husband, completing the triad. Characters: Cissie Colpitts
Location: River Blyth
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Number Motif — Numbers 1 to 100 appear sequentially in the background and on cattle. Characters: Cissie Colpitts
Location: Southwold
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Fairy Tale Structure — The repetitive plot is compared to 'The Billy Goats Gruff'. Characters: Cissie Colpitts
Location: Southwold
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Folklore Integration — Smut treats the characters' games as ancient traditions. Characters: Smut, Cissie Colpitts
Location: Southwold
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Cattle Branding — Numbers are printed on cattle, emphasizing the counting motif. Characters: Cissie Colpitts
Location: Southwold
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Soundtrack Echo — Michael Nyman's repetitive soundtrack mirrors the obsessive plot structure. Characters: Cissie Colpitts
Location: Southwold
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Generational Cycle — The three women successively take on the role of the drowning wife. Characters: Cissie Colpitts
Location: Southwold
Folkloric Resolution
The setting and landmarks anchor the tale. Smut's recitations and the soundtrack emphasize the repetitive, structural nature of the narrative.
Key Events
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Soundtrack Echo — Michael Nyman's repetitive soundtrack mirrors the obsessive plot structure. Characters: Cissie Colpitts
Location: Southwold
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Location Establishment — Key landmarks like the Victorian water tower and lighthouse are shown. Characters: Cissie Colpitts
Location: Southwold
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River Estuary — The estuary of the River Blyth serves as the recurring drowning site. Characters: Cissie Colpitts
Location: River Blyth
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Rule Invention — Unusual games like 'Deadman's Catch' and 'Hangman's Cricket' are detailed. Characters: Smut, Cissie Colpitts
Location: Southwold
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Repetition Emphasis — The film's structure uses repetition to highlight its fairy-tale nature. Characters: Cissie Colpitts
Location: Southwold
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Number Counting — Characters speak numbers, reinforcing the structural device. Characters: Cissie Colpitts
Location: Southwold
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Folkloric Resolution — The narrative concludes with the games and numbers cementing the tale's structure. Characters: Smut, Cissie Colpitts
Location: Southwold
Cissie Colpitts drowns her cheating husband and, in the ensuing cover-up, enlists the help of lonely coroner Henry Madgett, an old friend with a longstanding weakness for her charms. But when Cissie's daughter and granddaughter—both also named Cissie Colpitts—decide to resort to the same methods for solving conflicts with their own frustrating husbands, the women and their repeated appeals for help begin to wear on Madgett's conscience.