British sound engineer hired to work on a film he believes is about horses. He performs Foley work, mixes voiceovers, and gradually loses his grip on reality as studio tensions rise and boundaries between the giallo film and real life blur. He ultimately becomes a detached, fluent Italian speaker and is last seen absorbed by a projector light.
Gilderoy experiences severe dissociation and reality distortion.
Gilderoy manages Elisa's voiceover recording process.
Gilderoy integrates Claudia's vocal tracks into the final mix.
Francesco employs Gilderoy to handle audio production for the film.
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