Isabella / Laureen forms the story’s central supernatural connection. Isabella was condemned as a witch and burned alive, while Laureen becomes the chosen vessel for Isabella’s return during the twenty-fifth moon. Laureen’s disappearance, possession threat, and apparent ability to restore Jack Nelson and Richard Brenton link her directly to the castle’s ancient cycle.
Marcia Lyutak is Herbert Lyutak's wife and a worried observer of his growing obsession with the murder case. She questions his disturbing behavior, becomes increasingly frightened as women disappear and strange events unfold, and panics when Laurel vanishes, fearing that the situation has reached its end.
The Teacher arrives at Philippe and Minou's villa with documents for Eveline's mandatory school enrollment, unaware that the girl died a year and a half earlier. The visit exposes how the unregistered death and the error in the civil registry have left the child officially recorded under a misspelled version of her name.
The woman Bärlach loved in 1948, played by Rita Calderoni. She falls from a bridge into the bay, an event Bärlach believes Gastmann caused as part of their old bet. Though unable to prove Gastmann's guilt at the time, her death sets the stage for Bärlach's decades-long pursuit of justice.
Isabella is a young girl in the convent who is harshly disciplined. Virginia de Leyva sympathizes with her, while the mother superior considers Isabella a poor example and insists that she should be removed. Her treatment contributes to the convent's internal conflicts.
A young housekeeper hired by Leonardo to assist with the villa restoration. During Leonardo's violent breakdown, she and her boyfriend are captured, bound, and their bodies are later used as subjects for his disturbing artwork.
After recovering from a car accident, she arrives at the isolated castle and searches for the missing person who helped her. She becomes increasingly disturbed by the portrait, the inhabitants’ bizarre behavior, and the castle’s apparent separation from ordinary reality. She cannot see the mysterious double, deepening the uncertainty surrounding identity and perception.
Rita Calderoni has 23 screen credits in a career dating back to 1968. Signature works include Black Magic Rites, The Truth According to Satan, Lust. Explore the interactive character relationship maps on each title page to trace how their roles connect across franchises.
